Son 23 categorías las que premia el Oscar 2024, siendo las más importantes: mejor película, mejor director, mejor actor y mejor actriz. Aquí tenemos la lista completa. La ceremonia de los Oscar 2024 se realizará en el Dolby Theatre de Hollywood, Los Ángeles.
Oscar 2024: nominaciones
1. Mejor película
- American Fiction
- Anatomy of a Fall
- Barbie
- The Holdovers
- Killers of the Flower Moon
- Maestro
- Oppenheimer
- Past Lives
- Poor Things
- The Zone of Interest
2. A la mejor actriz
- Annette Bening – NYAD – Diana Nyad
- Lily Gladstone – Killers of the Flower Moon – Mollie Burkhart
- Sandra Hüller – Anatomy of a Fall – Sandra Voyter
- Carey Mulligan – Maestro – Felicia Montealegre
- Emma Stone – Poor Things – Bella Baxter
3. Premio al mejor actor
- Bradley Cooper – Maestro – Leonard Bernstein
- Colman Domingo – Rustin – Bayard Rustin
- Paul Giamatti – The Holdovers – Paul Hunham
- Cillian Murphy – Oppenheimer – J. Robert Oppenheimer
- Jeffrey Wright – American Fiction – Thelonious “Monk” Ellison
4. Mejor director
- Justine Triet – Anatomy of a Fall
- Martin Scorsese – Killers of the Flower Moon
- Christopher Nolan – Oppenheimer
- Yorgos Lanthimos – Poor Things
- Jonathan Glazer – The Zone of Interest
5. Guión original
- Justine Triet y Arthur Harari – Anatomy of a Fall
- David Hemingson – The Holdovers
- Bradley Cooper y Josh Singer – Maestro
- Samy Burch; de Samy Burch y Alex Mechanik – May December
- Celine Song – Past Lives
6. Actor de reparto
- Sterling K. Brown- American Fiction- Clifford Ellison
- Robert DeNiro- Killers of the Flower Moon- William Hale
- Robert Downey Jr.- Oppenheimer- Lewis Strauss
- Ryan Gosling- Barbie- Ken
- Mark Ruffalo- Poor Things- Duncan Wedderburn
7. Mejor actriz de reparto
- Emily Blunt- Oppenheimer- Kitty Oppenheimer
- Danielle Brooks- The Color Purple- Sofia
- America Ferrera- Barbie- Gloria
- Jodie Foster- Nyad- Bonnie Stoll
- Da’Vine Joy Randolph- The Holdovers- Mary Lamb
8. Guion adaptado
- American Fiction
- Barbie
- Oppenheimer
- Poor Things
- The Zone of Interest
9. Película animada
- “The Boy and the Heron” (GKids/Toho) / Hayao Miyazaki y Toshio Suzuki
- “Elemental” (Pixar) / Peter Sohn y Denise Ream
- “Nimona” (Netflix)/ Nick Bruno, Troy Quane, Karen Ryan y Julie Zackary
- “Robot Dreams” (Neon)/ Pablo Berger, Ibon Cormenzana, Ignasi Estapé y Sandra Tapia Díaz
- “Spider-Man: Across the Spider-Verse” (Sony Pictures) / Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
10. Mejor diseño de producción
- “Barbie” (Warner Bros.)/ Sarah Greenwood (production designer), Katie Spencer (set decorator)
- “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)/ Jack Fisk (production designer), Adam Willis (set decorator)
- “Napoleon” (Apple Original Films/Sony Pictures)/ Arthur Max (production designer), Elli Griff (set decorator)
- “Oppenheimer” (Universal Pictures)/ Ruth De Jong (production designer), Claire Kaufman (set decorator)
- “Poor Things” (Searchlight Pictures) / Shona Heath, James Price (production designer), Szusza Mihalek (set decorator)
11. A la mejor cinematografía
- “El Conde” (Netflix)/ Edward Lachman
- “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)/ Rodrigo Prieto
- “Maestro” (Netflix)/ Matthew Libatique
- “Oppenheimer” (Universal Pictures) / Hoyte van Hoytema
- “Poor Things” (Searchlight Pictures)/ Robbie Ryan
12. Diseño de vestuario
- “Barbie” (Warner Bros.) / Jacqueline Durran
- “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)/ Jacqueline West
- “Napoleon” (Apple Original Films/Sony Pictures)/ David Crossman, Janty Yates
- “Oppenheimer” (Universal Pictures)/ Ellen Mirojnick
- “Poor Things” (Searchlight Pictures)/ Holly Waddington
13. Mejor edición
- “Anatomy of a Fall” (Neon)/ Laurent Sénéchal
- “The Holdovers” (Focus Features)/ Kevin Tent
- “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)/ Thelma Schoonmaker
- “Oppenheimer” (Universal Pictures) / Jennifer Lame
- “Poor Things” (Searchlight Pictures)/ Yorgos Mavropsaridis
14. Maquillaje y peinado
- “Golda” (Bleecker Street)/ Karen Hartley Thomas, Suzi Battersby y Ashra Kelly-Blue
- “Maestro” (Netflix) / Kazu Hiro, Kay Georgiou y Lori McCoy-Bell
- “Oppenheimer” (Universal Pictures)/ Luisa Abel
- “Poor Things” (Searchlight Pictures)/ Nadia Stacey, Mark Coulier y Josh Weston
- “Society of the Snow” (Netflix)/ Ana López-Puigcerver, David Martí y Montse Ribé
15. El mejor sonido
- “The Creator” (20th Century Studios)/ Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich y Dean Zupancic
- “Maestro” (Netflix)/ Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich ay Dean Zupancic
- “Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)/ Chris Munro, James H. Mather, Chris Burdon y Mark Taylor
- “Oppenheimer” (Universal Pictures) / Willie Burton, Richard King, Gary A. Rizzo y Kevin O’Connell
- “The Zone of Interest” (A24)/ Tarn Willers y Johnnie Burn
16. Efectos visuales
- “The Creator” (20th Century Studios) / Jay Cooper, Ian Comley, Andrew Roberts y Neil Corbould
- “Godzilla: Minus One” (Toho)/ Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi y Tatsuji Nojima
- “Guardians of the Galaxy Vol. 3″ (Marvel Studios)/ Stephane Ceretti, Alexis Wajsbrot, Guy Williams y Theo Bialek
- “Mission: Impossible – Dead Reckoning Part One” (Paramount Pictures)/ Alex Wuttke, Simone Coco, Jeff Sutherland y Neil Corbould
- “Napoleon” (Apple Original Films/Sony Pictures)/ Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco y Neil Corbould
17. Banda sonora
- “American Fiction” (MGM)/ Laura Karpman
- “Indiana Jones and the Dial of Destiny” (Walt Disney Pictures)/ John Williams
- “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)/ Robbie Robertson
- “Oppenheimer” (Universal Pictures) / Ludwig Göransson
- “Poor Things” (Searchlight Pictures)/ Jerskin Fendrix
18. Mejor canción
- “American Symphony” (Netflix)/ “It Never Went Away” de Jon Batiste, Dan Wilson
- “Barbie” (Warner Bros.)/ “I’m Just Ken” de Mark Ronson y Andrew Wyatt
- “Barbie” (Warner Bros.) / “What Was I Made For?” de Billie Eilish, Finneas O’Connell
- “Flamin’ Hot” (Hulu/Searchlight Pictures)/ “The Fire Inside” de Diane Warren
- “Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)/ “Wahzhazhe (A Song for My People)” de Scott George
19. El mejor documental
- “Bobi Wine: The People’s President” (National Geographic)/ Moses Bwayo, Christopher Sharp y John Battsek
- “The Eternal Memory” (MTV Documentary Films)
- “Four Daughters” (Kino Lorber)/ Kaouther Ben Hania y Nadim Cheikhrouha
- “To Kill a Tiger” (National Film Board of Canada, NFB)/ Nisha Pahuja, Cornelia Principe y David Oppenheim
- “20 Days in Mariupol” (PBS) / Mstyslav Chernov, Michelle Mizner y Raney Aronson-Rath
20. Película extranjera
- “Io Capitano” -Italia- (01 Distribution)/ dir. Matteo Garrone
- “Perfect Days” -Japón- (Neon)/ dir. Wim Wenders
- “Society of the Snow” -España- (Netflix)/ dir. J.A. Bayona
- “The Teachers’ Lounge” -Alemania- (Sony Pictures Classics)/ dir. İlker Çatak
- “The Zone of Interest” -Reino Unido- (A24) ***/ dir. Jonathan Glazer
21. Mejor corto animado
- “Letter to a Pig” (Miyu Distribution)/ Tal Kantor y Amit R. Gicelter
- “Ninety-Five Senses” (Documentary+)/ Jerusha Hess y Jared Hess
- “Our Uniform” (Distributor TBA)/ Yegane Moghaddam
- “Pachyderme” (Miyu Distribution)/ Stéphanie Clément y Marc Rius
- “War is Over! Inspired by the Music of John & Yoko” (ElectroLeague) / Dave Mullins y Brad Booker
22. Corto documental
- “The ABCs of Book Banning” (MTV Documentary Films/Paramount+) / Sheila Nevins y Trish Adlesic
- “The Barber of Little Rock” (Story Syndicate)/ John Hoffman y Christine Turner
- “Island in Between” (The New York Times Op-Docs)/ S. Leo Chiang y Jean Tsien
- “The Last Repair Shop” (L.A. Times Studios/Searchlight Pictures)/ Ben Proudfoot y Kris Bowers
- “Nǎi Nai & Wài Pó” (Walt Disney Pictures)/ Sean Wang y Sam Davis
23. El corto live action
- “The After” (Netflix) / Misan Harriman y Nicky Bentham
- “Invincible” (H264 Distribution)/ Vincent René-Lortie y Samuel Caron
- “Knight of Fortune” (Jalabert Production)/ Lasse Lyskjær Noer y Christian Norlyk
- “Red, White and Blue” (Brandy Rivers/Industry Entertainment)/ Nazrin Choudhury y Sara McFarlane
- “The Wonderful Story of Henry Sugar” (Netflix)/ Wes Anderson y Steven Rales.
¿Ya tienes tus fav?
Foto principal: Pinterest
Mira este post: Lo que aprendí de los Oscars
Síguenos en redes sociales como @KENArevista: